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And invariably, there'll be a couple characters who were given "the mouthful," is what I say. We have this thing where we do read-throughs, and we do them once every eight days when the new episode comes out. Is it challenging to learn medical lingo for the show?Īre you kidding me? It's nearly impossible. The characters are wonderful, but the people themselves, the lives they lead, the people who they are, they're really decent human beings and a pleasure to show up everyday and work with. There's Emily Tyra, who knew Emily was a ballet dancer, you get to see her on-point doing an incredible ballet dance.
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There's William Allen Young, who's an old-world jazz kind of man, so he's doing that.
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There's Boris Kodjoe, who's just eye candy anyway, and he's the most decent human being, and who knew he was a great singer. There's Luis Guzman, Momma, and at some point he's twerking in the ER. In that song and dance number, I got to see and renew my understanding of how incredible everyone is. Suddenly you're taken into the ER and BANG!, there's a song and dance number that you didn't expect. In episode 2, you're given a bit of a surprise. We are so lucky on "Code Black" to have this amazing cast. She has to be more embracing of motherhood and get over - you never get over the death of a child - but she has to move on and embrace the beauties of this new child. She surprises herself and it's really beautiful. That's what happens in season 3 - how do these two women come together, and how does Ariel come to understand herself as a capable young woman, capable of things beyond her teenage capacity. They have that to unite on, but they also have that to overcome. Leanne has that teenage angst with Ariel, but it's compounded because Ariel has a lot of tragedy in her life, as does Leanne. I used to tell my own kids, you're allowed to roll your eyes, because I know you need to, but only a certain number of times a day. It's a teenager's job to disagree with everything an adult says on some level.